Networks, platforms and production partners will appreciate the level of what we’re proposing very soon.”įor Antonio Saura, Latido Films CEO, “Diego Ramírez and 64-A have created a great team in a country which has proved to be a hotbed of big ideas.
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Torres added: “We’re joining forces with 64-A and Room 65A to ramp up product quality. We are very happy with this alliance with Latido Films: Its market knowledge and experience will boost the reach we’re looking for,” Ramírez said.
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“We’ve created a development slate which we feel very proud off, with projects which are innovative, risk-taking and targeted at global markets. Alias JJ,” the Sony Pictures Television-produced “Search Bloc,” “El Baron,” “Miss Dynamite” and “Big Steps” FoxTelecolombia’s “La Mariposa” RCN classic “Francisco el Matemático” and sports teen drama “Noobees,” from VIS and The Mediapro Studio. Joined by Facchini, Juan David Cobos and Gurisatti, Room 65A’s writers have taken credits on Carcacol/Netflix hit “Surviving Escobar. Guevara wrote on Colombia’s remake of the Chris Morena format “Floricienta,” as well as “Enfermeras” and RCN boxing hit “A Mano Limpia.”
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The jewel in the alliance’s crown, however, is Room 65A, a writers room which features talent with decades of experience such as its head writer Barrera, producer of “Dog Eat Dog” and Santiago Caicedo’s 2018 Berlin player “Virus Tropical,” an office manager on James Gray’s “The Lost City of Z” and line producer of Peter Webber’s “Pickpockets” and writer on RCN’s medical drama “Enfermeras.” 64-A itself has provided production services on “Kill Chain,” with Nicolas Cage, and “Netflix’s “Playing With Fire.”
Peter gabriel in your eyes youtube live series#
Noriega, Ni un Paso Atras Credit: 64-A FilmsĦ4-A and Latido can draw on multiple competitive advantages, such as extraordinary low cost of production in Colombia which will allow the partners to scale up on productions without pricing series out of the market.Īlso, Colombia’s top-of-the-class talent pool has exploded over the last decade thanks to a vibrant big shoot scene, galvanized by the success of “Narcos” and juiced by the most fulsome 20%-40% international shoot rebates and tax credits in Latin America. Meanwhile, the woods around her village rebel against human onslaught, provoking death-dealing natural disasters. In line with Netflix’s “The Haunting of Hill House” or “Marianne,” the producers say, the project is created by Gurisatti and Andrés Guevara.Ī teen-targeting fantasy horror thriller turning on Alicia, a beautiful adolescent who inherits, without her knowledge, a supernatural forest spirit. A YA series.Ī horror thriller: An engineer is dispatched to an oil rig on Colombia’s western plains to suffer the wrath of a witch and locals for the devastation and deaths wrought by his family’s oil field, founded 80 years back in bloody circumstances. A caustic look at the impunity of Latin America’s ruling classes.Ī failed classical violinist returns from Europe to a musical school in a hardscrabble Medellin hood and finds inspiration in its local hip hop scene, mounting an Opera Hip-Hop musical.
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Implacable journalist Susana Montenegro investigates the rape and murder of a 7-year-old girl of humble origins at a high society New Year’s Eve party 20 years before, in 1999. First projects, unveiled to Variety in exclusivity, are squarely aimed at the Latin American and international markets:Ī suspense thriller, from an original idea by the alliance’s head writer Carolina Barrera.